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Smack My Pitch Up 97 – Mad Max: Kronk’s New Dystopia

Transcript at the bottom of show notes

Hobbit and Thandi strap in for a diesel-fueled ride through remakes and remixed of Mad Max!

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TRANSCRIPT:

Hobbit: [00:00:00] Hello? Hello. Hello Geeks. Welcome to another episode of smack my pitch up, the podcast that reboots remakes, reimagines sequels side-quels and adapts some of your favorite and least favorite properties from film, television and what have you.

And we’ve got a banger here on this episode for sure, and with me to discuss the remakes and reimaginings, my co-host Thandi.

Good day. I thought about doing like an accent, I think, for the betterment of everyone involved. I’m not gonna try to do that. I’ve never been able to nail either the British or the Australian accent cause they bleeding to each other.

Thandi: Yeah. You know, what’s fun about doing an accent? For me specifically I’ll lose it. I’ll lose it almost immediately, and it will turn into whatever it’ll turn into like something racist by the end of whatever impression I’m doing,

Hobbit: It could be the whitest act. I can do like a Russian accent very poorly, where you’re almost offended. I don’t think I have Russian background, but like I’m white enough where it’s like, no, he can he’s allowed to do Russian accent. No. [00:01:00] It’s almost offensive.

So

Thandi: You don’t wanna get smacked by Putin. Nobody wants to get smacked by Putin. So

Hobbit: get clobbered by his giant horse. Yeah. Let’s avoid that if

possible.

Thandi: eat you with my pick. Yeah.

Hobbit: So today we are talking about, Cult Classic for sure. A movie that has spawned to multiple sequels as well as a remake that’s not really a remake, so much as a kinda re, re-engagement, a re-envisioning of yeah.

Thandi: Yeah it’s like, old Mad Max is, what do they call the Star Wars stuff that was made before the reboot,

Hobbit: Oh, those are,

Thandi: The Star Wars legends or whatever, all the novels and stuff. Yeah. Old Mad Max is Mad Max Legends and . This is like, you know, the new kids. This is, even though it’s the same character, it’s

Hobbit: And what we are talking about is Mad Max the first Mad Max movie and the universe in general. I, guess, But the thing that’s interesting about that though is starting with Fury Road, if they are going with Tom Hardy as, max from now on, if they’re [00:02:00] restarting this universe

it is interesting where they’re starting as far as the distance away from Doomsday. Like every Mad Max movie gets a little bit further away from the fall of society.

Thandi: Yeah, little. Road is like hundreds of years after, like Max is a Highlander or something

Hobbit: Right.

Thandi: by the time of

Hobbit: And the the original director, he said that Max is really more there to be Way into a slice of life of that world at that time, you know, that Max does assist with stuff happening. But for the most part it’s, we’re just following him around on his adventures to see where the world is at this point in the decay.

And it was interesting to revisit Mad Max after it’s been years. I haven’t seen it since Fury Road came out, I think.

Thandi: I’d only ever seen it on tv. After watching this, I realized I’d only ever seen it as a TV edit. and it’s a whole different experience. This is some good [00:03:00] schlock. I was actually surprised. It’s really

Hobbit: holds up well and you try to explain what happens and there’s three important things that happen and that’s it in like 90 minutes, but it’s engaging the whole time. There’s never a point where I felt bored watching this, movie.

Thandi: It’s interesting. It’s not too long, although I did feel like it dragged a little bit somewhere in the middle. It’s not too long. It has some really intriguing aesthetic choices. The score is late fifties, early sixties style the orchestration, which is interesting.

There’s some interesting camera stuff going on. It’s very surprising that this is uh, George Miller’s first major movie.

Hobbit: And I feel like the acting is not top-notch, but it does feel natural enough that it’s even the bad actors are not that cringey. It doesn’t come off poorly, I

Thandi: I like some like, goose. I thought Goose

Hobbit: Goose is great.

Thandi: Max is actually a little bit too young. That was,

my complaint. Mel Gibson is a little bit young for the

Hobbit: I was mindful and made sure that I didn’t go too old with Max [00:04:00] with my casting, but I did. Yeah. He is so much younger than everybody else really in the film. He looks like a baby and maybe it’s just cuz we know Mel Gibson to be this like old racist dude. And this is like young racist dude, but.

Thandi: This is even before big hair, incredible wings. Mel Gibson. This is,

A whole different

Hobbit: was looking at actors in their like early twenties, and I just, I couldn’t I just, the concept of them driving a car, I’m like, you’re not old enough to drive a car. You can’t,

Thandi: You got the cutest little baby face

Hobbit: is something that I really like about Mad Max, is that there is a portrayal of a revenge film, very Western.

It’s completely, if you take all the beats of this movie and remove the cars and put in horses it’s, and it’s not the apocalypse, it’s just the old West. This is a fucking Western movie. But it doesn’t try to overdo the chase scenes. The chase scenes are pretty straight up.

Like they’re on straightaways. They’re not doing all these crazy twists and turns. And max isn’t this big buff fucker, he’s this normal [00:05:00] sized person that he fights a little, but mostly it’s just him running people over with his car. That’s the majority of his skillset is just

Thandi: Killing people with this

Hobbit: yeah, it’s, so what I liked about that is , I didn’t need to cast some like action hero type necessarily for the role of.

Thandi: This was pre that type anyway. They were on the, just the cusp of having leads take over in that fashion. But this is what, it’s like 79,

Hobbit: believe in late seventies. Yeah.

Thandi: Yeah. So this is right before they start putting Adonis Godman as the other action leads.

Hobbit: What a weird time. Yeah, it was the eighties pretty much all the way through until right at the end of the 80. when you had the, like Bruce Willis’s and the Joe Everyman that came in and picked that back up again, but there was this like 10 year block that was just big old machismo men that ruled the world.

Thandi: Yep. And then after that it was, they were all Brad Pitt types wiry, mu wiry dudes that I still resent

Hobbit: of course. Oh man, there was a weird time in [00:06:00] my high school years that scrawny hairless men was the in vogue. , and that’s literally the opposite of me. if you

Thandi: Damn you, Moby

moby

Hobbit: right. It was all the lanky, fucking scrawny dudes that everybody was losing their shit over

had no armpit hair, nothing. Here I am looking like a fucking lumberjack, a short little, wide lumberjack.

Thandi: Yes, and both you and the scrawny, lanky dude are both looking at Mel Gibson going,

Hobbit: Yeah. Pretty much. Now how the tides have turned that bearded men is now in vogue and yay.

Thandi: We rule the day until

Hobbit: until we go to bed at a very reasonable hour. Okay. So Mad Max, there’s a lot of room to work here. I’m interested to see if either of us, decided to stick to the timeline of the post apocalypse or the dystopian world.

Of the original Mad Max or took it a little bit further into the post apocalypse. Also, is this an apocalypse movie? Is this done differently? [00:07:00] I’m really interested. You have the wild one always excites me cuz you will go out there this might be in space, I don’t know.

So I’m.

Thandi: No, the take this time is gonna be something where you’re like, what? What are you doing? You know, last time you were like, wow, that is really cool. The time before you, that is fun. This one’s gonna be like, yeah,

Hobbit: Why Great. Mine, I feel, is a pretty straight ahead version here that I think you’re gonna understand why I made the choices that I did. This is the straight up remake, reimagining what have you. I decided that the real difference here is that I didn’t want to try to capture that like Aussie. Dystopian vibe.

I wanted to look at what Man Max would be if it was an American director, directing American actors with an American aesthetic, but not necessarily the fast and the furious kind of aesthetic. Definitely balls to the wall a little bit. That’s just, that’s definitely America, but more that, action kind of [00:08:00] comedy, the die hards of it, the fun action vibe a little.

With just a touch of demented to get, let it go down smoother. And I decided that Brian Taylor would be my director for that kind of journey. If you’re unfamiliar. He is one of the directors of Crank one and two. He directed gamer Ghost writer Spirit of Vengeance. More recently he did the movie Mom and Dad with Nicholas Cage, which is an absolute fucking blast If you haven’t seen.

Thandi: I have not

Hobbit: It’s like an infection movie where all the parents are infected and get like homicidal and wanna murder their own children. That’s what the virus

does. Yeah. Basically. So it’s just all these parents being like, come here honey. Stab stab. And there was a series on sci-fi that he that helps create and also directed called Happy.

That was a tour de force of demented weird fantasy the main character. Chris Maloney. He has an imaginary friend that’s like a flying unicorn that’s voiced by Pat [00:09:00] Oswalt. It’s a weird show, but definitely steeped in gross, weird demented comedy. And so that’s energy that I wanted to bring to this is just a little over the top, a little bonkers but still that intensity you want from an action.

And so I, for Max, that was a tough choice for me. I wanted to do a not action hero kind of person, but somebody that could get unhinged , if they really got to that point they would break bad when it got to that. And from his portrayal in mayhem this horror movie, I thought Stephen Yune would be an interesting choice for.

Thandi: Oh, nice. I almost cast him in a different role, yeah. Steven. Deserves a breakout role in like a young person’s breakout role like that. I know he’s going for serious stuff, but

Hobbit: He’s definitely proven himself to be a tremendous actor. But I’ve also been playing this dude that gets basically infected and becomes like a raw [00:10:00] nerve of aggression in mayhem. He, it’s a very fun ride that he takes you on and he’s gets to play it super big and you can tell he is having a fun time with it.

And so I want to be able to have that spectrum from the actor playing Max is somebody that can go subtle and quiet cuz Mel Gibson is quiet in the first man Max. He doesn’t say a lot at all. So I want that to just go up to 11 when he’s on his revenge.

That he’s what? Just freaking out and going Bonkers. So, Steven Yeun. I think it would be fun in that role for Jesse, his partner, his wife, his, the mother of his child. I wanted an actress that could play like she’s got her own shit together. She’s not like the damsel and distress type, but is also very funny and can play at these big action sequences and be the comic relief of the moment in some of the most like, darkest moments of this.

And I just saw her recently in a really bad movie called Shotgun Wedding. The movie’s fucking awful. It’s the Jennifer Lopez vehicle that came out on Prime, and it’s stupid. I [00:11:00] hate

Thandi: Yeah, Sandra started watching that the other day, and I don’t

Hobbit: Yeah, it’s really bad. But Darcy Carden is in it and I love her. She was in the Good place as Janet. She plays Natalie in Barry and she was also in shotgun wedding, but she’s a comedic actress. She’s been around and she’s been in tons of. Very funny. There’s something about her that’s so, so just like hits me the right way.

Very funny actress and has the, I’m one step ahead of you, kind of energy with her humor as well. She knows what you’re gonna say and she’s got five clips ready to go already. So I thought they would be a fun matchup. Jim Goose.

Goose. I wanted somebody that would be like the kind of wide open, wants to be a ladies man, just fun, weird, sidekick character and a little older as well.

Christopher Maloney, he’s already worked with the director. I think he would’ve a lot of fun just being like the zany, the, sidekick, or not sidekick, but coworker,

Thandi: oh, definitely. And Maloney’s.

Hobbit: Maloney is a fucking trip. He is such a [00:12:00] trip. Initially I had cast him as Fifi, the basic, their boss, basically. Cuz I thought Maloney would have a lot of fun just walking around shirtless, smoking a cigar and yelling at people. And he would, but I think his energies would be better spent as Jim Goose. For Fifi, I decided that role, I wanted somebody built like the. He looked like a Russian weightlifter that lifted the triangular weights only the their boss, Fifi. So I needed a buff guy that was gonna be able to have fun in this role as this really happy, big energy person. So Terry Cruz immediately jumped out as a good choice there.

He

Thandi: course.

Hobbit: just really friendly, nice boss that people actually like, but also don’t fuck with him. I could, Terry Cruz works perfectly for that.

Thandi: Yeah. No, Terry Cruz is great as the big

Hobbit: Yeah, that’s, his whole career is pretty much playing that role for the most part except for Brooklyn nine nine. He doesn’t play the big guy, quote unquote necessarily in that role.

Thandi: He plays this sweet, cool-headed guy who [00:13:00] loves his family.

Hobbit: I feel like Terry Cruz would be a great person to spend time with, not even get a drink with, but like, Just your friend from years ago that you go to like the park with your kids together kind of energy.

He, this is a sweetheart

Thandi: Who keeps trying to get you to go to the gym with him and you’re like, oh

Hobbit: suit? Yep. 100%. Oh, your CrossFit friend. That’s Terry Cruz. Oh no. I, for the use of bad guys now that we’re going with and I wanted to cast a kind of quiet intensity for Bubba Zt. And so I went with Tommy Flanagan, if you’re unfamiliar he’s the Irish actor with a giant gash scar in his face that was in Sons of Anarchy. He was in Sin City. He’s been in Braveheart and Gladiator.

Thandi: I believe I know who you’re talking about,

Hobbit: very well known as a, always the grizzled, tough guy and uh, toe cutter. Unhinged, boss of the biker gang. We gotta get Nicholas Cage in there at some point.[00:14:00] He’s had a couple movies with Brian Taylor.

He had Ghost Rider and also mom and dad, so they know how to work together. Nicholas Cage could definitely have room to do whatever Nicholas Cage wants with this role.

Thandi: I’m kinda surprised that Nick Cage didn’t come to mind for me for what I was, what I’m doing. That’s, yeah, cuz he is a great choice for that.

Hobbit: I think just giving him moments to do whatever would really make this movie. And then finally, Johnny the Boy, the drugged out fucking weirdo guy that gets in trouble and gets arrested and then gets released is the little brother character to the biker gang that always fucks up and they’re always really annoyed with him.

Pete Davidson. For Johnny The Boy. Yeah, that’s perfect. But with this casting and Brian Taylor in this demented action comedy kind of vibe, the world that I’m setting up in the States is that basically resources are dwindled dramatically. and the coasts are really where most everybody lives because you can get to stuff easier that way through the ocean and railway systems and stuff.

The [00:15:00] middle of America is basically ghosted. A lot of the crops have died at this point. resources are dwindling dramatically cuz of global warming or whatever you, whatever. It’s not necessary to explain, but there’s just barren wastes of just flat, dusty dust bowl . And so really the only people that exist in this area have cars, have souped up rods and cars that have extra gas tanks attached to them, randomly and basically Mad Max vehicles that they have to build out to make these long hauls in between small towns that are still existing in the Midwest.

And because that also, there’s not enough police force to cover these great expanses and so there’s the highway patrol basically that has these. That they can get from town to town on like less gas, but still like gun it. You know, they have little bit better technology but they can only get around so much.

So they’re constantly on the tail of all these highway gangs. They are constantly trying to make sure all the small towns are okay, but the small towns, [00:16:00] they have their sheriffs and their people in charge, but they can only do so much when a gang of like 30 or 40 bikers comes into town. So, they’ve been after this gang for a while.

They’ve been trying to prevent them from stealing the resources from the towns in their sector. And so that’s how they come to know Max from him just being the best cop in their region, trying to protect these towns. So Max is there basically out of his ability to drive really well, but also he gets better resources by being friendly with all these towns that have resources. And they thank him by giving him water and gas and clothes and stuff for his car. As a bribe basically, hey, pay more attention to us than the other towns.

And so when the bikers start cutting into his cut by. By stealing resources from these towns and you know, him not getting there in time, then that’s what’s really pissing him off. You know, that’s what’s really motivating him [00:17:00] is like, Hey, you’re cutting into my stuff here. So it’s less about the world fully falling apart.

The cities are still, industrialized and still working and functioning. Though poorly, a little bit dystopian, but the middle America looks like the post apocalypse just because everybody’s escaped. Pretty much everybody’s gone to the coasts. There’s nothing really left in middle America anymore for anybody. the crops have died, like the resources have dwindled,

Thandi: Yeah. Yeah. And taking it to America is probably a better move anyway, like maybe not explicitly so. But I feel like there’s enough regional culture in the Mad Max movies that doing something that you’re a little bit more familiar with might be a better.

Hobbit: And it being set in Australia was because that’s, George Miller lived , like, so it doesn’t have to be Australia necessarily. There’s nothing Australia centric [00:18:00] about this story really.

Thandi: Except for all the the Fosters billboards in the

Hobbit: Right. Australian for post apocalypse. So yeah that’s my take. Middle America centered mad Max movie with. Yuck. Yucks and action. And explosions and craziness.

Thandi: I’d watch it. And it’s . It’s about time to bring back the the aesthetic. Like of course we had Fury Road as George Miller’s modern vision of that, but A world of post-apocalyptic leather daddies that populated that Mad Max era . It’s time to bring that back. I’d love to

Hobbit: And I, there’s only so much further you can go in the post-apocalyptic world of Mad Max after Fury Road, because then it’s just dust. There’s nothing there’s barely anything left in Fury Road. Resetting it and bringing it back to where there’s ghost towns, they’re driving through these ghost towns and there’s small populations of people and there’s still some level of government, working, giving resources.

[00:19:00] Highway patrolman, basically. And, the best way I can explain it is it’s when shit’s done, there’s no going back. The society is collapsing as they speak. Everybody knows it, everybody’s aware of it. Everybody knows they got maybe 10 years tops before even the police are gone.

That it’s that level, but nobody’s willing to admit it. It’s like when in 2008 when I worked at Blockbuster, everybody knew that Blockbuster was going under, every couple of months another store would go out of business. But we all just pretended that somehow there’d be like a turn that we’d be fine at some point and we just of went about our business until, you know, the store went under.

Thandi: Red box is bs. Nobody’s gonna use a

Hobbit: We just gotta

Thandi: box. Netflix,

Hobbit: in there just a little bit longer until this fad blows over. So that’s this world of Mad Max is people out of not having other options, barely hanging on, hoping that something changes

Thandi: Yeah, not knowing that the world is going to descend to the place where the only three assets left [00:20:00] are bullets, gasoline and titty milk.

Hobbit: That sounds like a good weekend right there,

Thandi: maybe

Hobbit: Yeah. Yeah.

Thandi: Ah, I did something interesting with my take,

I guess, So my take is basically based on me diving down a rabbit hole, mad Max influenced a bunch of like 1980s anime, like just Mel Gibson in general influenced a bunch of 1980s anime, but basically it influenced it so much that like anime style, mad Max has already been.

Many times over. So going down that rabbit hole, I was like we’re doing a big budget movie for an American audience. What’s big budget? American animation. There’s Disney and there’s Dreamworks. So basically my Mad Max is an animated movie from Dreamworks,

Hobbit: Okay.

Thandi: Cars via Dreamworks. [00:21:00] And it’s

It’s basically a bunch of chases that climax in the big race for it all or whatever kids movie. No, I take that back. All a family movie, so everybody gets to be

Hobbit: So there’s some winks to murdering a wife and child and stuff, but not like overtly to.

Thandi: It’s, yeah. There’ll be violence, but it’s like violence that you never see. Like people can die in a cartoon movie. You just can’t see the body hit the floor. So, my Mad Max Dreamworks movie takes place in Arizona. Max Rocke Tansky is the best pursuit cop on this stretch of of highway in, in Arizona.

And he is got a big head about it and it’s about him finding his way to appreciate the love of friends and family and working as a team, you know, kid movie stuff. But for everybody. Max Roski, Chris Pratt. Why Chris Pratt? Because Chris Pratt is the universal voice actor for everything right [00:22:00] now. So my Max Roski is Chris Pratt.

He will not be doing a gruff anything. He’ll just be doing Chris Pratt like he does anyway, except when he is playing when he did that movie for Amazon.

Hobbit: Oh, the tomorrow war.

Thandi: goose. Yeah, my goose. I just needed a side kick. Character. Who’s the best sidekick in the history of man and who’s also like a really interesting voice.

John C. Reilly

Hobbit: I knew you were gonna say John C. Reilly. knew it when you said sidekick. Yeah.

Thandi: Yeah he’s the sidekick John C. Reilly in, in this take goose still dies, but you don’t see him burned to to. Where Max is like, what

Hobbit: Where Max does the Ooh

Thandi: goosey

Hobbit: face as he pulls the sheet up,

Thandi: Oh, it’s so early days for his acting. It’s fine. It’s fine. Jesse Roski, the wife is still his wife in this movie, but she’s also on the highway patrol. She’s part of the [00:23:00] action. Their conflict comes into the fact that he wants to be a lone wolf and she wants to teach him how to work better with the team.

Kristen Bell is Jesse

Ros

Hobbit: Okay. I see it

Thandi: cuz she could be sweet and convincing

Hobbit: a little agro when need be.

Thandi: Yeah. Roski Ski is no longer a child. Sprague Rockat. Tansky is a talking. And the actual direct partner of Max Rock Osky, doing the ride alongs and pointing down the suspects and saying, Hey man, cuz it’s Kevin

Hart. Is Sprague Rock.

Hobbit: Oh, no. Like talk, like I. That’s racist. I don’t know how it’s racist, but it’s racist. I think there’s no way to portray Kevin Hart playing that character without it coming off kind of racist.

Thandi: As Sprague Rock Osky. He can’t be like Brian, the dog for Max Rock Atki without [00:24:00] being

Hobbit: You you know how they would play Kevin Hart in that role though. That’s the thing. There’s only

Thandi: Yeah. But that’s actually Kevin Hart. That’s how

Kevin

Hobbit: I’m

Thandi: Kevin Hart. That’s on him. Me too. That’s what makes it great. The tow tremor,

so the

Hobbit: The tow

trimmer.

Thandi: Yeah.

The

Hobbit: no. That’s brilliant. But God damn it

Thandi: is Keefer Sutherland

cuz he is got the ultimate like, hard ass, bad guy voice the cold.

Wonderful for a kids’ movie, perfect

villain

Hobbit: If you haven’t seen the movie Freeway with uh, Keer Sutherland. He plays like the big bad wolf type character of like a serial killing like dude. And he does this kind of like voice. I can picture that being the perfect touchpoint for him to play this role. Like of the kind of growly.

Thandi: Or his take on a

solid

Hobbit: Yes.

Thandi: cuz he was, he replaced David Hader on that game that people were like, oh, it’s not David Hader. Zunti, his his second in [00:25:00] command is, No longer a person. That’s a dog too. But that dog can talk. And that talking dog is Patrick Warburton. Is Zanetti in this

Hobbit: So Kronk’s new, dystopia uh, okay.

Thandi: Yeah, he’s the henchman. He’s henchman number one. Henchman number two, Kini. The guy who loses his hand. And yeah. That’s James Fran. So James Franco is is guy number three, the police captain or whatever of the station house. The boss is Brian Cox

Hobbit: always a good

Thandi: and they’re all just, yeah, they’re all just trying to reign Max in Goose dies, wife lives tow trimmer.

Ends by not getting hit by a truck, but by driving off of a cliff Disney style. So he dies. You don’t see the death, but characters falling off a cliff is like animated kids movie

tradition. Uh, That’s how he does

Hobbit: noise as Yeah.[00:26:00]

Thandi: and like a, just a sickening splat. Yeah. That is my version of of Mad Max.

Hobbit: choices were made But it does beg the question, like, why aren’t there more post-apocalyptic cartoons that really, I feel like cars kind of could be perceived that way. And then there’s Wally, and then that’s it. Like that’s pretty

Thandi: You get something like, I don’t know I don’t know about a post apocalypse, but Treasure Planet or a ladin where the heroes just in

dire straits.

Hobbit: Titan ae, I guess would be post-apocalyptic, or at least for Earth. Yeah. It’s literally after Earth is what it stands for. Yeah. I don’t know, I’d go see it can’t be too judgmental on something where like, yeah, day one I’d be there watching it being like, what the fuck?

Thandi: I’d be curious enough to look up the reviews, but yeah,

Hobbit: nice . Yeah,

Thandi: the audacity, why are you making this movie

cause

Hobbit: because money. All right. With you saying Brian Cox as well for your thing, I’m [00:27:00] just thinking a mashup for Mad Max. I would love to see Super Troopers three being in the post apocalypse where they’re still working the highway patrol, but in a Mad Max type fashion, would be fucking great cuz Brian Cox, he.

The boss in Supert Troopers, so yeah, that would be brilliant.

Thandi: So, a couple fun mashups. Mad Max in weird science, like in that scene where Kelly Le Brock brings like the the Road Warrior style mutants to their party. At the end of the movie, she also brings Max, and then she ends up hooking up with Max instead of the nerds.

Um, ,

And Mad Max and Waterworld. Where the the Mariner finally reaches dry land, but the dry land is Australia, and so he’s in the jurisdiction of Max Rocke Tansky, now

Hobbit: I I would watch that movie. 100%

Thandi: Desert versus Duff Sea,

Hobbit: Mad Max Fury, tsunami. I don’t know. Yeah. Mad Max Tsunami. Okay, so we’ve [00:28:00] got two very different takes on Mad Max. Both of which I think we would probably be murdered online for even suggesting so Perfect. Perfect for us. Um, And now we’re doing the trailers, so let me get that. From the director that brought you Crank one, crank two, and Ghost Rider. Spirit of Vengeance is an American take on a cult classic Meet Max. He’s mad. Played by Stephen Yon and he’ll stop at nothing to take down the toe cutter crew and restore order to the Midwest this summer Max. Loses his wife Jesse, played by Darcey Carden, and him and his buddy Jim Goose, played by Christopher Maloney are wiping the streets red with the blood of their enemies.

With the help of Fifi, their boss, played by Terry Cruz. They go up against Tommy Flanagan as Bubba Zanetti, Nicholas Cage as the leader of the toe cutters, toe [00:29:00] cutter, and hijinks ensuing. Burnout. Fuck boy. Pete Davidson. As Johnny the Boy. Are you mad? You will be with this remake Mad Max America Road.

Thandi: Oh, I didn’t give my director actually. Before we continue my director was Clarence William, or I’m sorry, Chris Williams. Clarence Williams is somebody I went to high school with Chris Williams, who directed Big Hero six

and the

Hobbit: man. Both of those are really, I didn’t realize it was the same director, big hero of six I love that movie so much. Sea Beast was better than I expected it would be.

Thandi: Yeah, I’ve heard nothing, but I haven’t watched it all the way through yet. I started it and I got distracted, but it’s on the list because I’ve heard nothing but good things about it. I heard, I’ve heard

it’s

Hobbit: Yeah. With directors for animated films. I that that’s a thing. Like you, you think of directors like directing live actors, you know, but I’m sure there’s plenty that goes into directing Lincoln animated film, possibly even more than a regular film. There’s amazing director like Brad Bird who did the Incredibles movies [00:30:00] and stuff that did Directors of animation, but I never really think about it.

Thandi: Yeah. Those guys do some some amazing work and they have to entertain a larger audience than many other directors do. So they have to get their lesson in there, keep the parents occupied, keep the kids occupied. It’s a. An interesting juggling job to pull that

together. speaking of entertaining an audience we’ve got your take next for your trailer

I hate it.

Hobbit: So let me light it up. You ready to roll? Let’s get this car on the road, I guess.

Thandi: From Chris Williams in Dreamworks. It’s a movie about what happens when you’re too good at what you do in a world that’s not Chris PR is Mad Max Rocke Tansky the best cop on the Arizona Highway. His wife played by Kristen Bellis, Jesse Rocke Tansky, and she just wants him to make friends. Sprague, his [00:31:00] dog is Kevin Hart.

Cutting up and having fun on the highway is a fight keeper. Sutherland’s tow trimmer and his boys, Patrick War Burton and James Franco. As they try to win the big race, but are they good enough to win the big race? And does it matter when The most important thing on the road as having the drive to be the best, to take it all on your own, even when it threatens to drive away you from the only race that matters, the race to be the best of friends.

Mad Max, the best of friends coming this summer.

Hobbit: Friend Road Um, I, yeah. Fuck it. Yeah, let’s make this kid’s movie. I, I’m, I, you know what, you changed my mind. I am on board with this yet to get another banger from Tandy in the, in the Wackadoo category. So [00:32:00] Wackadoo. Hell yeah. This was a blast. I am really glad that I got a chance to rewatch Mad Max. It’s one of.

The road warrior is so good. Like the sequel is so, so good that I sometimes,

Thandi: And that’s the one that everybody has

seen. That’s

Hobbit: yeah. And so I forget sometimes that Mad Max is still very good. Like it’s a really good starter to this universe that gets created

Thandi: Yeah.

Hobbit: and then you throw in Thunderdome and just have a like silly blast.

Thandi: And, but none of them have what Mad Max has, which is the Hall of Justice.

Hobbit: I forgot yet.

Thandi: They like an old abandoned cement factory. That’s the Hall of Justice, and that is awesome in itself.

Hobbit: Not just genre, but he permanently changed the way people did dystopian Futures with this movie. And it was basically because he was in the outback of Australia and he had access to these abandoned buildings and he’s like, great. Yeah.

 Cool. This is what it is. Like this is the police station and yeah, it’s like a cement plant or something. Great. No

Thandi: Yeah. No, he’s he was inspired and they didn’t run over the [00:33:00] kid, which was also inspired. That brought me in more than any other scene in the movie. Were the kids out in

Hobbit: Oh, right, yeah, yeah,

Thandi: They’re driving. They’re driving. I was like, he was, this movie’s kind of crazy, but they’re not gonna kill this kid. Whew.

Hobbit: pet cemetery. This is not, Pet Cemetery is like, fuck that kid.

Thandi: Oh, guess we’ll need to add that one to the list too. Actually. That’s already been

remade.

Hobbit: Yep. Terrible remake, unfortunately, but at least compared to these bangers that we brought on this episode here, think Mad Max needs to go a new direction, with some of our choices here.

Thandi: Hit

us up.

Hobbit: we’re ready and waiting. So speaking, of, waiting, we’re waiting for you to follow us on social media, Facebook, Twitter.

 Just follow geeks of the influence on Instagram, Twitter, you’ve got me and Thandi on Twitter. We’ve gotta smack my pitch up. uh, pitch smacked on Twitter. got Facebook keep track of when episodes are coming out. We’ll let you know when there’s cool stuff happening. Maybe some live event.

And, yeah, it’s a great way to get all the pitch smacking that you could ever want.

Thandi: [00:34:00] Yeah,

All All smacked all day long. Oh it’s got a rosy

glow

Hobbit: from all the smackings. So on that uh, yeah, re review, subscribe, post on socials, let people know how cool this show is and how bad our choices are. But that’s half the fun. Gotta thank Of course. Tandy, thank you so much for joining me on this.

Thandi: Thank you, sir.

Hobbit: I’ll find you next time.

Thandi: I’m Thandi.

Hobbit: and you just got pitch smacked,

Thandi: Hey, pitch another smacking shrimp on the

Bobby

Hobbit: mate. Good day. Good day.

Thandi: Fosters it’s pitch for smack.

Hobbit: Jesus.

Check out this episode!